A Changing Industry: Motion Picture Special Effects

 A Changing Industry: Motion Picture Special Effects Article

A Changing Market: Motion Picture Effects

" Exceptional visual effects have added to the allure of motion pictures since the early days of cinema. French director Georges MГ©liГЁs is considered the most powerfulk pioneer of special effects. His film " A Trip to the Moon" mixed live actions with movement, demonstrating to audiences that cinema could create worlds, items, and occasions that did not exist in real life" (Tanis similar. 1). Through examples of the new techniques and the movies where they were presented, this newspaper will depth the changes that special effects have observed over the last makes years. Effects have been employed ever since the film market became popular. Three-dimensional film technology became popular in the1950s, because it enjoyed a brief period of use (Sklar par. 3). Although motion-picture film, just like still picture taking, normally yields two-dimensional images, the impression of a third dimension could be achieved by predicting two independent movies. Members of the market wear THREE DIMENSIONAL eyeglasses so that the right attention sees 1 picture as well as the left vision sees the other, making the effect of three sizes. Three-dimensional film technology remains being used today at Common Studios in Florida. When my family stopped at the enjoyment park there was clearly a feature 3 DIMENSIONAL film that was interpretation of " The Endstuck. " Three-dimensional film has changed, because right now the members of the target audience no longer have to wear glasses with 1 red and one blue lens. Right now the eyeglasses are very clear, but still permit the user to obtain the same three-dimensional effect that they would the red and blue eyeglasses. Another sort of the stamina of early on techniques is usually stop-motion picture taking. The original " King Kong" used it, in which the King Kong figurine was regularly filmed for very quick segments and then moved, to ensure that when the film was expected at regular speed, Ruler Kong appeared to move. The same technique cartoon the figures in " James as well as the Giant Peach" (" Nova" par. 2). After Ww ii there was a lull in the development and use of effects. Technical advances in the manufacture and design of motion-picture cameras made it easier to film on genuine locations, as well as the trend in cinematic storytelling tended toward realism, leading to less call for fantastic illusions. Then in 1968 the film " 2001: A place Odyssey", through which astronauts seem to float weightlessly in space, led to a renewed affinity for special effects. In his article posted in Encarta in 2000 Nicholas Tanis said, " In making Legend Wars, Lucas used pcs to control camera movement. Through this technique, referred to as motion-control cinematograph, the computer's precise control allows a camera capturing live actions in one studio to move at the same speed as being a camera shooting a model within a second facilities that is background intended for the live action" (par. 2). " Star Wars" revolutionized just how special effects had been created and proved those to be a potential box-office guarded secret. George Lucas, who described " Superstar Wars, " created his own special-effects studio, Professional Light & Magic, which will became a leading innovator and was responsible for a series of innovative special-effects tactics. Filmmakers bring up many other effects to create illusions in the theatre. Sometimes a movie calls for an actor to appear in a place it will be challenging to film, or perhaps doing something that is difficult, such as traveling by air. In these cases, the filmmaker uses the apparent blue-screen method, filming the actor in front of a display screen that is either painted or perhaps lit to complement a particular shade of blue. During stamping the filmmakers then replace this blue background having a completely different picture, creating the impression that the celebrities are going through that setting. According to Hayes 1979's " Superman" received and Oscar for the special effects, which included blue-screen processing, that were used in the production in the movie...

Mentioned: Tanis, Nicholas. " Movie, " Microsoft Encarta Online Encyclopedia 2k October 12, 2000.

Sklar, Robert. " History of Movies, " Microsoft company Encarta On the web Encyclopedia 2k October 24, 2000.

Nova Online. " The Grand Illusion: A Century of Special Effects, " Nova Online 1996. October 12, 2000 < http://www.pbs.org/wgbh/nova/specialfx/effects/history.html>.

Hayes, R. Meters. Trick Cinematography: The Oscar Special-Effects Videos. North Carolina: McFarland, 1986.

Erland, Jonathan, and Kay Erland. " The Digital Series Traveling Dull Backings" Formula Components Business October 12, 2000.

Thalmann, Nadia, and Daniel Thalmann, eds. Fresh Trends in Animation and Visualization. Ny: Wiley, 1991.

La Franco, Robert. " Digital Dreamin '. " Forbes Sept. 1998: 223.

Kaplan, David A. " Grand Confusion. " Newsweek Online mil novecentos e noventa e seis: October 12, 2000.

Howstuffworks Online. " Developing The Matrix, " Howstuffworks On-line. 1999. August 14, 2150.

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